Yann Chateigné Tytelman, Blackout
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↕ 235 ㎜
🗐 40
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Ruhail Qaisar, Fatima (book)
↔ 130 ㎜
↕ 185 ㎜
🗐 48
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Digital
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Glued
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ʧ Luzi Type ↗︎ Beirut, Dynamo ↗︎ Whyte, Google fonts ↗︎ Noto Nastaliq Urdu, Makkuk ↗︎ Kawkab Mono arabic, Yalasoo ↗︎ Qomolangma-Uchen Sarchung
Paul Bernard, Debord Curator
↔ 172 ㎜
↕ 235 ㎜
🗐 40
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Stitched
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Open House
↔ 167 ㎜
↕ 229 ㎜
🗐 336
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Sewn
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ʧ Zeta Fonts ↗︎ Stinger and The Pyte Foundry ↗︎ Triptych
Shali
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↕ 235 ㎜
🗐 36
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Offset
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Still Life/Les Feuilles mortes
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↕ 235 ㎜
🗐 32
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Stitched
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The Wounded Eaglet
↔ 210 ㎜
↕ 276 ㎜
🗐 128
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Offset
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Sewn
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ʧ Milieu Grotesque ↗︎ Patron et TypeMates ↗︎ Bridge Head
Esprit es-tu là?
↔ 172 ㎜
↕ 235 ㎜
🗐 36
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Offset
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A Man Once Bitten By A Snake
Cover of Céline Burnand’s ↗ photo book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering. Half-title. Spread. Spread. Spread. Spread. Spread. Colophon.
Un Homme une fois mordu par un serpent
Cover Céline Burnand’s ↗ text book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering. Half-title. Spread. Spread. Spread. Spread. Spread. Spread. Spread.
Paul Paillet
Artist Paul Paillet’s publication in the Centre d’édition contemporaine, Genève ↗ collection Before Publication. Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details. Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details. Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details. Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details. Captions for the works and colophon. Back.
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Harry Burke
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↕ 235 ㎜
🗐 24
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Offset
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Stitched
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